aliaspseudonym: (Default)
As a young alien i read mostly to learn who i was,
which is the first use of stories--for the newly formed
to find what words in what order pulsates
through the fountanelle to resonate the zygomatic &
sphenoid bones--how else could they know
how they feel about spaceships & fairies
& monsters & dragons?


if i could be any bird i’d be
a magpie--if any animal, a hare
or maybe a cat. A magpie’s tail
is as long as the rest of its body.
These things are important &
worth thinking about.


i learned that i am someone
who wants to build inverted cities on the sky
& stare up at dusk at the streetlights as they
flare to life like newborn stars--i want to be
an architect of winds, of air, of thoughts, of playing cards,
of scrabble tiles each with a single letter, piling
up into words & sentences & paragraphs up into
the sky.


I am, i guess, one of the quiet ones--i knew
how to look through people, had to learn
how to look at them. It was, i think, in the stories
where i got the idea
to look inside them.


i love living things--i love things
that create themselves--i love
to play with them, to understand
how & where & why they grow,
& to gently guide them. The best stories
are alive too--a story, written, is only
a blueprint, a seed--a story, read, is a great tree of thought
that takes root slowly & springs up & branches into
who knows that kind of tree, or what fruit or what shade,
what shape & colour of leaves & flowers
you might find there.


The quiet ones have no spoken
language--though some are fluent
in human soundwords, they tire--we take shelter, sometimes
neath silent wordtrees with paper leaves that
take us to worlds where you can see
into the soul
without making eye contact.


I’ve learned i like words too much, i think,
to be a deconstructionist--for all their failings
you have to admire the brave little letters,
‘t-r-e-e’ for saying: i signify treeness--
look, i have seen many trees & they are
not all very much alike, and there is little of
t-r-e-e about them--yet, the wordchains can also
take you places: four letters can carry you away to
an entire universe of tree, which is surely
a sort of magic.


I’ve found the bad words, too, which bind & stifle
the growth of living things--names that burn brandlike
into the named, impose their meanings on the real:
weak or strong, natural or unnatural. The worst kind
of lie fights always to become true--look: i have seen
the sickly cities built from these lies; their supports are rotten--
they daily demand blood sacrifice
to oil ill-fitting gears & always they whisper:
“this is what must be done, there is no other way.”


I would be not just an architect, but
an arsonist of thoughts--i would build siege engines--
hurl flaming oil--sing firesongs. Bit by bit
the lies are burning. Piece by piece repair
the skycity. One by one the stars ignite
to light the way through the midnight gloom.


I want to burn it all down, & build a city
where it’s safe to be a boy or girl or
magpie, & to believe in everything or nothing, &
not even the quiet ones’
wordless language is drowned out. This
is what the stories taught me.
aliaspseudonym: (Default)
I had a bit of a burst of inspiration at work today about how writing works for me.  All my life i've been fascinated by how things work, and how pieces fit together to make a whole.  That applies to machines, buildings, stories, and even people.  Which makes sense, considering my Myers-Briggs personality thingy is Architect.  I tend to see the world as a set of ordered systems, and I want to understand how those systems operate.

A story is a system too.  I visualise it as a tower, mainly because i'm rather fond of tall things and high places.  But if a story is a tower, but words on a piece of paper or a computer screen are only a blueprint.  Stories can only properly exist in the minds of people who can understand them.

Before i can write a story (or sometimes at the same time) i have to build it in my own mind.  This is the prototype of the tower, so it's bound to be a slow, difficult process.  I have to develop characters, order events and line up plot points so that the whole thing fits together neatly and solidly, keeping a careful eye out for cracks and faults.  When i get stuck writing, i find its usually either because i'm missing the next piece, in which case i need to do more of the mental building stage before i can continue, or there's some flaw in the structure i've built, in which case it needs repair work or, sometimes, to be discarded entirely and started over.  Usually in those cases i can at least recycle many of the characters and ideas for raw material for future work.

Once you've finished building your story and created the blueprint, that's only half the process.  99% of the work, but only half the process.  Each person who reads your blueprint attempts to reconstruct a story in their own mind according to it.  Each mind is different, therefore each story based on the blueprint will be slightly different, though the same in essence.  Badly-constructed stories often fall to pieces in critically keen minds, and overly complex stories may crumble in simple or distracted ones.  Really well-made stories, though, can generally be built up properly in most any mind.

Anyway, there's your laboured analogy for the week.  I've written two chapters of Cremation, and i've got most of it built up in my head, so i should be able to get more written fairly soon.  I just need to fill in the cracks as i go along.
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